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Francesco, Franz, Ritter Franz von Hayez: Zur Rezeption des Romanticismo Storico in der deutschsprachigen Publizistik

2021

After Canova’s death (1822), Italian contemporary art, especially painting, suffered from the widespread topos that Italy as “terre des morts” had frozen in historical self-reflection and therefore did not meet the demands of modern “romantic” art. One of the few internationally recognized exceptions was Francesco Hayez (1791–1882), whose history painting virtuosically combined modern literary subjects with elements derived from the Venetian tradition, such as the gestures of Canova and the colorfulness of Venetian Quattro and Cinquecento painting. His images, which are relevant from a historical, literary but also political point of view, have achieved great success at the regular exhibiti…

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroRomanticism Critical reception Art spectator Nineteenth-Century Art Austria Germany Italy Kunst-Blatt (Zeitschrift)Settore L-ART/03 - Storia Dell'Arte Contemporanea
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